Wednesday, September 5, 2012

Jane Stickle Quilt on Display at the Bennington Museum


Bennington, Vermont - From September 11 through October 21 the quilt that inspires quilters all over the world will be on its yearly display at the Bennington Museum.  Brought to the museum 60 years ago, the Jane Stickle Quilt is only shown for a short time each year due to the fragility of the fabric; Quilters from around the country and world plan trips to the region during that time to see the 1863 quilt.    The Jane Stickle quilt is comprised of 169 five-inch blocks, each in different patterns, containing a remarkable total of 5,602 pieces surrounded by a unique scalloped border. The craftsmanship of the quilt has been mentioned in numerous quilting books, and is the topic of Dear Jane, The Two Hundred Twenty-Five Patterns from the 1863 Jane A. Stickle Quilt, by Brenda Papadakis.
         
"The significance of quilts, with their vibrant colors and precise geometric patterns, goes beyond the comforting, everyday use they received by their original owners. Today, within the context of museums, these early textiles can be re-envisioned as works of art on par with any abstract painting of the twentieth century. The Stickle quilt, with its dizzying array of printed cloth patterns and individual block designs, surely embodies this idea of quilt as art,” states Jamie Franklin, curator of the Bennington Museum.

Jane Stickle was born Jane Blakely on April 8, 1817 in Shaftsbury, Vermont.  Married to Walter Stickle sometime before 1850, they did not have a family of their own.  They did, however, take responsibility for at least three other children in the area. In an 1860’s census, Jane Stickle was listed as a 43 year-old farmer living alone.  She eventually reunited with her husband, but during that time alone, she lovingly created what is now known as the Jane Stickle Quilt.  As a reminder of the turbulent times the country was going through, she carefully embroidered “In War Time 1863” into the quilt.
         
The Jane Stickle Quilt can be viewed with regular museum admission. The Bennington Museum, located at 75 Main Street (Route 9) in Bennington, has the largest public collection of Grandma Moses paintings in the world as well as the largest collection of 19th-century Bennington pottery.  In the other nine galleries, the museum presents a 1925 Wasp touring car, one of only twenty produced, military artifacts, one of the earliest ‘stars and stripes’ in existence, fine and decorative arts and more.  The museum is complemented by the Hadwen Woods and George Aiken Wildflower Trail.  On view through October 30 is Rockwell Kent’s “Egypt”: Shadow and Light in Vermont, the first exhibit to focus on the artist's life and work during his years in Vermont, 1919-1925.  The museum is just a short ride from Manchester, Williamstown, and eastern New York, and is open every day through October. Regular admission is $10 for adults, $9 for seniors and students over 18.  Admission is never charged for younger students or to visit the museum shop.  Visit the museum’s website www.benningtonmuseum.org or call 802-447-1571 for more information.

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